1994 Winter Olympics - Lillehammer - Norway

The main street of Lillehammer was an unforgettable sight that summer morning in 1988: the giant television screen transmitting direct from Soul, Norwegian television live all over the place, an enormous crowd tense with anticipation - schoolchildren and housewives, old-age pensioners and Olympic notables, journalists and politicans.

We knew that King Olav had written to Samaranch, and that Prime Misister Gro harlem Bruntland had spent quite a time and effort to press Norway's suite in this matter. Since Norway's application for 1992 Olympics had been refused two years previously, Ole Skjetne and company had gone on working with unquenchable optimism, and now they could show that Norway's application was perfectly serious: there stood Kristin Hall, ready and waiting.

The rumour was that Sweden led the field after the first round of voting, but the word was going round that changes werw likely in the second round. Suddenly the loudspeakers up and down the main street werw turned on: a rustling of papers, Samaranch on the air. A deafening silence. A group of local secondary shool pupils appear on the screen. Samaranch:

"The decision is - LILLEHAMMER, NORWAY!"
Source: Byggekunst 5-6/93

Index OL94-Exhibition

* Introduction.
* Håkon Hall - Ice hocey.
* Hamar Olympic Amphitheatre - Figure- and short-track skating.
* Gjøvik Olympical Cavern Hall - Ice hockey.
* Home

Håkon Hall - Main venue for ice hocey.


Håkon Hall is part of the Lillehammer Olympic Park at Stampesletta, the plans for which where drawn up by Østgaard Arkitekter AS.

Stampesletta is a classical arena designed around a central axis, whose shape has been the determining factor in the architectonic concept on which the arena is based. The arrangement and design of all the buildings in th Park are subordinated to this main idea. Håkon Hall and Kristin Hall from a gateway to the landscape beyond, framing and emphazing the symmetry of the main arena.

The shape of the hall.

The curved roof of Håkon Hall was designed to interact visually with the shape of Kristin Hall. Cleaving the shape of the roof, and lifting one half above the other with separate rounded gables, created a freer sculptural impression, echoing the contours of the lanfscape. The movement of the roof comes to a conclusion in the large airy canopy above the entrance, whitch accentuares the importance of the main entrance between the two halls.

The ligth admitter between the separate elements of the roof illuminates the interior and emphasizes the roof surfaces and structures. The use of glass and transparents materials in the facades and roof links the interior if the building with the surrounding landscape and fills the vast space with air and light, giving the impression if shell shapes floating above their shallow depressions.

Functionally matters.

The site of the hall, on sloping groung was exploited by making the seating asymmetrical, wiht entrance cloakrooms and other offices located on the west side of the arena.

As the main ice hocey venue during the Gamesm Håkon Hall has beenbuilt to accommodate 10,000 spectators. Afterwards it will be used for a number of different purposes, for sports, fairs, conserts ans so on. When the provisional seating is removed and the movable spectator stands ar pushed aside, a floor space 45 x 94 metres square is obtained. In order to cater for post-Olympic use, the sports arena itself can be reacehd by car.

Constructions.


The great roof, with a span of up to 85.8 metres, is supported by a system of laminated double trussed girders with axes 12 meters apart, attached to concrete slabs cast on site. The spectator stands consist of precast concrete elements with plastic seats.

Source: Byggekunst 5-6/1993 - Østgaard Arkitekter AS

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Hamar Olympic Amphitheatre - Figure- and short-track skating.


Hamar Olympic Amphiteatre


The Olympic Amphitheatre vas the venue for figure-skating and short-track speed skating during the Fames. Training ant competitions in these events require two separate rinks, and the amphitheatre was originally planned as an extension of the Storhamar rink. After the Games the rink will be mainly used for ice hockey matches (two rinks gives it world championship status), but it can also be used for handball, conserts and other arrangaments.

It closeness to the Storhamar rink and the necessity of having a very high roof to accommodate the television cameras ruled out the usual vault shape, and this was fortunate, because the pillars and griders that replaced it gave us an arena and not an roof. The elliptical shape and the high, sligtly inwardleaning facades created a deliberately nondirectional impression among the complex of buildings.

Concrete seating follows the geometry of the ice and gives a classical, intimate atmosphere. At the trandition between the seating and the wall the seating rises in waves, with most of the spectators sitting along the favoured longitudinal sides of the rink.

The galvanized steel roof is suooirtes by laminated trussed girders whose span of over 70 metres is the longest avalibale. The facades consist of wooden elements supported by laminated pillars. A new system of fire-resistant impregnation has made it possible to use wood throughout the interior.

A tight budget meant that the details had to be sacrificed, and the materials where left as untreated as possible. The amphiteatre was decorated in typically Norwegian colours, which together with the untreated surfaces accedtuate the Norwegian atmosphere.

The Amphitheatre can accommodate 6,000 spectators during the Games, including commentators, press and VIP's. The normal capacity is 6,500 spectators.

Source: Byggakunst 5-6/1993 - HRTB AS in coporation with HOVDE AS

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Gjøvik Olympical Cavern Hall


Gjøvik Olympical Cavern Hall.


The landschape of Røverdalen, where the Cavern Hall has been carved out of the rock, forms a concluding sequel to the main street of Gjøvik.

The Caver Hall is an enormous project that would have completely destroyed the proportions of the tittle town Gjøvik if it had been built above ground. Norway has a long tradidion of rock tunelling and the Cavern Hall is the most advanced construction of its kind. The unsupported 60-metre roof span is the largest in the world.

The interior subdivision into geometric shapes of varying sizes provides cintrasting visual impressions of space. The rock walls are reunfrced for greater safety with steel nets sprayed with shocrete and painted dark grey. They are covered withcrushed glass, to provide a surface that heightens the impression of a fairytale underworld. This is enhanced by the halogen lighting effects, interspersed with brilliant sun spots. The Cavern Hall is a good exemple of energy conservation, since, once it has beem warmed up, the temperature inside teh mountain will remain at a stable 8 degrees Celsius all the year round. Minimal maintenance in required because the building is protected from the elements.

Source: Byggekunst 5-6/1993 _ MOE - LEVORSEN AS.

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Last modified: Wed Sep 28 10:54:42 1994